Posts Tagged knowledge

Elvis And His Penchant For Pianos With History

Elvis would have been 80 years old today and the King himself had something of a penchant for pianos with history:

Elvis Presley’s beloved white Knabe grand piano, as featured in his music room at Graceland from 1957 to 1969

The Knabe grand piano once owned by Elvis

The Knabe grand piano once owned by Elvis

The Knabe grand piano once owned by Elvis

The Knabe grand piano once owned by Elvis

“This elegant musical instrument, so well-loved and played by Elvis, is presented with wonderful provenance back to the 1930s,” said Doug Norwine, Director of Music & Entertainment at Heritage, “not to mention that it was an emotionally-charged prized possession of the King himself.”

The Knabe piano, besides being owned by Elvis for more than a decade, is a storied set of keys that occupied the position as the house piano in Ellis Auditorium in Memphis, TN from the early 1930s through 1957, when Elvis himself bought it and had it refurbished in white. Not only is it an instrument that Elvis loved to play in his own home, it is also the very piano played by his favorite gospel performers at revivals that Elvis attended as a boy, during which, as an enthralled member of the audience, he surely must have dreamed of his own future stardom.

The Knabe grand piano once owned by Elvis

The Knabe grand piano once owned by Elvis

“During the 1930s, 1940s, and early 1950s, the stage at Ellis Auditorium was graced by the greatest local and national touring musical acts of the period including W. C. Handy, Duke Ellington, Count Basie, Cab Calloway, and certainly many, many others,” said Norwine. “In 1957, this Knabe grand piano was sold during a remodeling project at the Ellis. He could have afforded any piano on the planet, but when Elvis heard this one was for sale, he didn’t hesitate.”

We can’t help you to buy this piano but we thought you should know about it as it is an important part of piano history and that’s something we all enjoy.

The king frequently had his picture taken at pianos but could he play ?

Elvis sat at a piano enjoying the low notes

Elvis sat at a piano enjoying the low notes

We called a few people in the know to find out and they said:

Yes he did, he learned as a child, he was not fantastic but he could ‘hold his own’.

There is a DVD of his last public performance floating around in cyberspace where he is playing a solo version of the Righteous Brother’s song “Unchained Melody”. He plays piano and sings, shortly after the video he Elvis Sadly died…. Or did he? 😉

About that chip shop in Peckham …
Advertisements

, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Leave a comment

Your Piano Room Acoustics

The dimensions and layout of your piano room will undoubtedly have an effect on the overall sound. Have you ever listened to a piano that is too powerful for the room it is in?

Not only can it be deafeningly loud but it will often result in a poor quality of sound. As a rule of thumb larger pianos are built for larger rooms, this is because they possess qualities and characteristics that best present themselves in larger spaces. The mighty sound of a double octave run in the lower end of a concert grand would be lost in a typical houseroom as there is insufficient space for the sound to develop and resonate.

 

 

Remember large pianos are designed to move large quantities of air & produce comparably large sound waves. To do this they need to be housed in an appropriate sized room.

 

What Is The Layout Of Your Room?

The height & shape of the ceiling are important factors to consider, depending on the ceiling the sound that resounds round the room can be different. For example consider speaking loudly in a cathedral and then in a flat ceilinged room, the difference is just as immense when considering a piano in relation to its surroundings. Consider the cladding of the walls whether covered in wood, plaster, thick wallpaper or acoustic tiles.

 

Lots of glass and shutters in a room can produce a hard & indistinct timbre whereas soft furnishings such as wall tapestries or draperies can be used to soften hard sounds.

 

One of the most neglected aspects of a room’s acoustics in relation to a piano is the floor. Is it bare wood, varnished, laminate or waxed? Maybe it is carpeted, the choice is myriad. With wooden floors the sound that is produced in the home can be very strong and overpowering, almost too harsh to be enjoyed. This can often be combated by placing a large rug under the piano to soften the sound.

 

These are some of the most basic factors that you should consider when designing the layout of your music room. However, having done all that is required you may still find the sound does not suit the room or the ears of the listener. This can be due to the quality of the hammers in the piano be they hard or soft.

 

A recent case in point which comes to mind was a medium size piano that was transported to a residential address. The sound that the instrument produced was so colossal & overpowering in the room that a technician had to be called in to ‘soften the blow’ by tuning, regulating & voicing the instrument.

 To voice an instrument is a very specialised job and can involve either needling a hammers felts to alter its consistency or in extreme cases by doping or ironing the hammers to compact the felt and harden them, there by producing a brighter sound.

However please note that this process is not as simple as it sounds and if you believe your piano is in need of such attention then contact an experienced piano technician as it is a very delicate job

 

The list can be endless and very expensive if one becomes carried away with the latest trends of sound control. If you consider the above basic factors you will have a perfectly good music cave to hide out in!

 

Britannia Piano Auctions

www.britanniapianoauctions.com

info@britanniapianoauctions.com

0161 977 0075

 

, , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Leave a comment