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Schimmel pianos are becoming more popular today in the UK than ever. Their Konzert series & International series receive the best reviews, Schimmel’s grand and upright piano range are an example of quality modern piano production. This Model 112 in our September 2016 auction in Manchester is no exception. A modern Schimmel upright piano estimated £2,000 – £3,000. Can you afford to let someone else buy this ?
Auction Date: Thursday 15th September 2016
(Doors open 9am auctions commences 12:00 noon)
Est: £2,000 – £3,000
A Model 112 upright piano in a mahogany case, this piano is in showroom condition and is sold with a matching John Austin single stool in a fawn upholstery.
As you can see this piano is in showroom condition and is a stunning example of the Model 112 upright piano produced by Schimmel. This piano would suite any modern or traditional style home. Come along to our viewing days and test the piano out.
Where else could you buy this type of quality grand piano at this price?
There are always bargains to be found in our auction room!
It is time to be thinking about the piano for you at the right price
If you have any questions about this auction insight or any other please don’t hesitate to contact us on:
Tel. 0161 977 0075
Auction Room Address:
Unit 12 & 13, Willan Industrial estate, West Ashton Road,Salford, Manchester,M50 2GR
There are four different ways you can bid at the auction:
Bid in person – The most popular way to bid at auction. Simply where you turn up on the auction day and physically take part in the auction.
Telephone bidding – Is organised through us. We will provide telephone bidders at the auction who will call you when your specified lot is about to go to auction, then they will bid on your behalf as instructed by yourself in the live auction.
Internet bidding – Is popular with overseas bidders and is run parallel with the live auction in real time.
Absente bidding- Is a method of bidding for those who cannot or do not wish to attend an auction but want to register a solitary ‘maximum bid’ on a specific lot. Absentee bids are also called ‘written’, ‘commission’ or ‘order’ bids and may be placed by filling out and submitting an Absentee Bid Form, in writing or by email.
If you would like further details or would just like to discuss the different methods of bidding then please call or email us.
Our fully illustrated catalogue for the 15th September 2016 auction is available from us 1 week prior to the auction date and is delivered to your email account at no cost. You can even request a yearly subscription so you don’t miss an auction.
Daniel Barenboim reveals radical new piano design to the world and proclames that he has fallen in love with it. Conceived in 2011, the Barenboim piano has taken 18 months and 4,000 people hours of work to build – the piano has been compared to Steinway and may one day go into wider production
“I’ve fallen in love with it,” beamed Daniel Barenboim as he unveiled what he believes is a groundbreaking new piano, one which he conceived and commissioned, and has been dreaming about since 2011. “I want to spend as much time with it as possible.”
To a small audience of journalists, Barenboim played 30 seconds from the slow movement of Beethoven’s Appassionata Sonata on his traditional Steinway before playing the same notes on his new piano.
Some were thrilled by the difference. Others furrowed their brows at the similarity. What no one could disagree on was the maestro’s passion for his new instrument.
Barenboim declared it a “sound alternative”. One piano was not better than the other but: “There is a difference in the quality of the sound … it has more transparency, more clarity and by itself less blend but it gives you the opportunity to create a blend yourself as a player – and I like that.”
The exterior looks much the same as any other modern concert grand piano but inside there are some dramatic differences.
Designed by the Belgian instrument maker Chris Maene, the Barenboim has straight parallel strings instead of the diagonal-crossed ones of a contemporary piano. The wooden soundboard veins go in different directions. The bridges, ribs and bracings are specially-designed and the hammers and strings (yellow brass rather than red brass) have been repositioned.
All of this creates a piano which has a different sound and one which he has to play in a different way, he said. “It is a different relationship between the tip of the fingers and the key. And the peddling … the transparency of the sound makes you rethink the use of the pedals.”
Barenboim’s epiphany came in September 2011 when he visited Siena and got the opportunity to play on Franz Liszt’s restored grand piano. Struck by the difference in sound he began to dream of a brand new piano which combined the evenness of touch, stability and power of a modern instrument with the “transparent sound quality and distinguishable colour registers” of Liszt’s 200-year-old piano.
Almost all concert pianists today play a Steinway and even alternative makers base their instrument on the Steinway D, first built in 1884.
Its ubiquity is part of its strength, said Barenboim who has been happily playing one for 65 years. “The great advantage of Steinway is that over the years it has created an instrument that has enormous homogeneity. If you listen to some of the old pianos which still exist in recordings this homogeneity of the sound is quite obvious and wonderful.”
Barenboim approached Steinway to see if they could create his dream piano. They could not, but pointed him towards Maene who then stressed the need to have Steinway involved, not least because they would have to provide all the components.
“Let me make it very clear,” said Barenboim. “It is not a question that there was anything wrong with Steinway. What this provides is a sound alternative and as in everything in life, everything has advantages and disadvantages.”
As things stand, there are only two examples of the new piano, one for Barenboim, one for Maene.
It has taken 18 months and 4,000 people hours of work to build it and Maene is hopeful it may one day go into wider production. “I’m sure there will be a demand from artists who want something else.”
Next year he will be back, in what will be the 60th anniversary of his first appearance at the Royal Festival Hall aged just 13, performing both of Brahms’ piano concertos back to back.
In between the energetic 72-year-old will be at this summer’s Proms as a soloist and conductor of his West-Eastern Divan Orchestra, consisting of young Arab, Israeli and European musicians.
Each time he will have his new piano. Even though he has only had the finished instrument for six weeks, his passion for it seems boundless.
But it was, he said, like falling in love with a new person. “You want to go with them everywhere … I want to play everything.”
Here at Britannia Piano Auction we bring you the latest news in the piano world and offer the best prices on pianos at our auctions.
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